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Chapter 96- The Contract.

Chapter 96

The Contract.

 

Three days after the scene we have just described, namely

towards five o'clock in the afternoon of the day fixed for

the signature of the contract between Mademoiselle Eugenie

Danglars and Andrea Cavalcanti, -- whom the banker persisted

in calling prince, -- a fresh breeze was stirring the leaves

in the little garden in front of the Count of Monte Cristo's

house, and the count was preparing to go out. While his

horses were impatiently pawing the ground, -- held in by the

coachman, who had been seated a quarter of an hour on his

box, -- the elegant phaeton with which we are familiar

rapidly turned the angle of the entrance-gate, and cast out

on the doorsteps M. Andrea Cavalcanti, as decked up and gay

as if he were going to marry a princess. He inquired after

the count with his usual familiarity, and ascending lightly

to the second story met him at the top of the stairs. The

count stopped on seeing the young man. As for Andrea, he was

launched, and when he was once launched nothing stopped him.

"Ah, good morning, my dear count," said he. "Ah, M. Andrea,"

said the latter, with his half-jesting tone; "how do you

do."

 

"Charmingly, as you see. I am come to talk to you about a

thousand things; but, first tell me, were you going out or

just returned?"

 

"I was going out, sir."

 

"Then, in order not to hinder you, I will get up with you if

you please in your carriage, and Tom shall follow with my

phaeton in tow."

 

"No," said the count, with an imperceptible smile of

contempt, for he had no wish to be seen in the young man's

society, -- "no; I prefer listening to you here, my dear M.

Andrea; we can chat better in-doors, and there is no

coachman to overhear our conversation." The count returned

to a small drawing-room on the first floor, sat down, and

crossing his legs motioned to the young man to take a seat

also. Andrea assumed his gayest manner. "You know, my dear

count," said he, "the ceremony is to take place this

evening. At nine o'clock the contract is to be signed at my

father-in-law's."

 

"Ah, indeed?" said Monte Cristo.

 

"What; is it news to you? Has not M. Danglars informed you

of the ceremony?"

 

"Oh, yes," said the count; "I received a letter from him

yesterday, but I do not think the hour was mentioned."

 

"Possibly my father-in-law trusted to its general

notoriety."

 

"Well," said Monte Cristo, "you are fortunate, M.

Cavalcanti; it is a most suitable alliance you are

contracting, and Mademoiselle Danglars is a handsome girl."

 

"Yes, indeed she is," replied Cavalcanti, in a very modest

tone.

 

"Above all, she is very rich, -- at least, I believe so,"

said Monte Cristo.

 

"Very rich, do you think?" replied the young man.

 

"Doubtless; it is said M. Danglars conceals at least half of

his fortune."

 

"And he acknowledges fifteen or twenty millions," said

Andrea with a look sparkling with joy.

 

"Without reckoning," added Monte Cristo, "that he is on the

eve of entering into a sort of speculation already in vogue

in the United States and in England, but quite novel in

France."

 

"Yes, yes, I know what you mean, -- the railway, of which he

has obtained the grant, is it not?"

 

"Precisely; it is generally believed he will gain ten

millions by that affair."

 

"Ten millions! Do you think so? It is magnificent!" said

Cavalcanti, who was quite confounded at the metallic sound

of these golden words. "Without reckoning," replied Monte

Cristo, "that all his fortune will come to you, and justly

too, since Mademoiselle Danglars is an only daughter.

Besides, your own fortune, as your father assured me, is

almost equal to that of your betrothed. But enough of money

matters. Do you know, M. Andrea, I think you have managed

this affair rather skilfully?"

 

"Not badly, by any means," said the young man; "I was born

for a diplomatist."

 

"Well, you must become a diplomatist; diplomacy, you know,

is something that is not to be acquired; it is instinctive.

Have you lost your heart?"

 

"Indeed, I fear it," replied Andrea, in the tone in which he

had heard Dorante or Valere reply to Alceste* at the Theatre

Francais.

 

"Is your love returned?"

 

* In Moliere's comedy, Le Misanthrope.

 

"I suppose so," said Andrea with a triumphant smile, "since

I am accepted. But I must not forget one grand point."

 

"Which?"

 

"That I have been singularly assisted."

 

"Nonsense."

 

"I have, indeed."

 

"By circumstances?"

 

"No; by you."

 

"By me? Not at all, prince," said Monte Cristo laying a

marked stress on the title, "what have I done for you? Are

not your name, your social position, and your merit

sufficient?"

 

"No," said Andrea, -- "no; it is useless for you to say so,

count. I maintain that the position of a man like you has

done more than my name, my social position, and my merit."

 

"You are completely mistaken, sir," said Monte Cristo

coldly, who felt the perfidious manoeuvre of the young man,

and understood the bearing of his words; "you only acquired

my protection after the influence and fortune of your father

had been ascertained; for, after all, who procured for me,

who had never seen either you or your illustrious father,

the pleasure of your acquaintance? -- two of my good

friends, Lord Wilmore and the Abbe Busoni. What encouraged

me not to become your surety, but to patronize you? -- your

father's name, so well known in Italy and so highly honored.

Personally, I do not know you." This calm tone and perfect

ease made Andrea feel that he was, for the moment,

restrained by a more muscular hand than his own, and that

the restraint could not be easily broken through.

 

"Oh, then my father has really a very large fortune, count?"

 

"It appears so, sir," replied Monte Cristo.

 

"Do you know if the marriage settlement he promised me has

come?"

 

"I have been advised of it."

 

"But the three millions?"

 

"The three millions are probably on the road."

 

"Then I shall really have them?"

 

"Oh, well," said the count, "I do not think you have yet

known the want of money." Andrea was so surprised that he

pondered the matter for a moment. Then, arousing from his

revery, -- "Now, sir, I have one request to make to you,

which you will understand, even if it should be disagreeable

to you."

 

"Proceed," said Monte Cristo.

 

"I have formed an acquaintance, thanks to my good fortune,

with many noted persons, and have, at least for the moment,

a crowd of friends. But marrying, as I am about to do,

before all Paris, I ought to be supported by an illustrious

name, and in the absence of the paternal hand some powerful

one ought to lead me to the altar; now, my father is not

coming to Paris, is he? He is old, covered with wounds, and

suffers dreadfully, he says, in travelling."

 

"Indeed?"

 

"Well, I am come to ask a favor of you."

 

"Of me?"

 

"Yes, of you."

 

"And pray what may it be?"

 

"Well, to take his part."

 

"Ah, my dear sir! What? -- after the varied relations I have

had the happiness to sustain towards you, can it be that you

know me so little as to ask such a thing? Ask me to lend you

half a million and, although such a loan is somewhat rare,

on my honor, you would annoy me less! Know, then, what I

thought I had already told you, that in participation in

this world's affairs, more especially in their moral

aspects, the Count of Monte Cristo has never ceased to

entertain the scruples and even the superstitions of the

East. I, who have a seraglio at Cairo, one at Smyrna, and

one at Constantinople, preside at a wedding? -- never!"

 

"Then you refuse me?"

 

"Decidedly; and were you my son or my brother I would refuse

you in the same way."

 

"But what must be done?" said Andrea, disappointed.

 

"You said just now that you had a hundred friends."

 

"Very true, but you introduced me at M. Danglars'."

 

"Not at all! Let us recall the exact facts. You met him at a

dinner party at my house, and you introduced yourself at his

house; that is a totally different affair."

 

"Yes, but, by my marriage, you have forwarded that."

 

"I? -- not in the least, I beg you to believe. Recollect

what I told you when you asked me to propose you. `Oh, I

never make matches, my dear prince, it is my settled

principle.'" Andrea bit his lips.

 

"But, at least, you will be there?"

 

"Will all Paris be there?"

 

"Oh, certainly."

 

"Well, like all Paris, I shall be there too," said the

count.

 

"And will you sign the contract?"

 

"I see no objection to that; my scruples do not go thus

far."

 

"Well, since you will grant me no more, I must be content

with what you give me. But one word more, count."

 

"What is it?"

 

"Advice."

 

"Be careful; advice is worse than a service."

 

"Oh, you can give me this without compromising yourself."

 

"Tell me what it is."

 

"Is my wife's fortune five hundred thousand livres?"

 

"That is the sum M. Danglars himself announced."

 

"Must I receive it, or leave it in the hands of the notary?"

 

"This is the way such affairs are generally arranged when it

is wished to do them stylishly: Your two solicitors appoint

a meeting, when the contract is signed, for the next or the

following day; then they exchange the two portions, for

which they each give a receipt; then, when the marriage is

celebrated, they place the amount at your disposal as the

chief member of the alliance."

 

"Because," said Andrea, with a certain ill-concealed

uneasiness, "I thought I heard my father-in-law say that he

intended embarking our property in that famous railway

affair of which you spoke just now."

 

"Well," replied Monte Cristo, "it will be the way, everybody

says, of trebling your fortune in twelve months. Baron

Danglars is a good father, and knows how to calculate."

 

"In that case," said Andrea, "everything is all right,

excepting your refusal, which quite grieves me."

 

"You must attribute it only to natural scruples under

similar circumstances."

 

"Well," said Andrea, "let it be as you wish. This evening,

then, at nine o'clock."

 

"Adieu till then." Notwithstanding a slight resistance on

the part of Monte Cristo, whose lips turned pale, but who

preserved his ceremonious smile, Andrea seized the count's

hand, pressed it, jumped into his phaeton, and disappeared.

 

The four or five remaining hours before nine o'clock

arrived, Andrea employed in riding, paying visits, --

designed to induce those of whom he had spoken to appear at

the banker's in their gayest equipages, -- dazzling them by

promises of shares in schemes which have since turned every

brain, and in which Danglars was just taking the initiative.

In fact, at half-past eight in the evening the grand salon,

the gallery adjoining, and the three other drawing-rooms on

the same floor, were filled with a perfumed crowd, who

sympathized but little in the event, but who all

participated in that love of being present wherever there is

anything fresh to be seen. An Academician would say that the

entertainments of the fashionable world are collections of

flowers which attract inconstant butterflies, famished bees,

and buzzing drones.

 

No one could deny that the rooms were splendidly

illuminated; the light streamed forth on the gilt mouldings

and the silk hangings; and all the bad taste of decorations,

which had only their richness to boast of, shone in its

splendor. Mademoiselle Eugenie was dressed with elegant

simplicity in a figured white silk dress, and a white rose

half concealed in her jet black hair was her only ornament,

unaccompanied by a single jewel. Her eyes, however, betrayed

that perfect confidence which contradicted the girlish

simplicity of this modest attire. Madame Danglars was

chatting at a short distance with Debray, Beauchamp, and

Chateau-Renaud.

 

Debray was admitted to the house for this grand ceremony,

but on the same plane with every one else, and without any

particular privilege. M. Danglars, surrounded by deputies

and men connected with the revenue, was explaining a new

theory of taxation which he intended to adopt when the

course of events had compelled the government to call him

into the ministry. Andrea, on whose arm hung one of the most

consummate dandies of the opera, was explaining to him

rather cleverly, since he was obliged to be bold to appear

at ease, his future projects, and the new luxuries he meant

to introduce to Parisian fashions with his hundred and

seventy-five thousand livres per annum.

 

The crowd moved to and fro in the rooms like an ebb and flow

of turquoises, rubies, emeralds, opals, and diamonds. As

usual, the oldest women were the most decorated, and the

ugliest the most conspicuous. If there was a beautiful lily,

or a sweet rose, you had to search for it, concealed in some

corner behind a mother with a turban, or an aunt with a bird

of paradise.

 

At each moment, in the midst of the crowd, the buzzing, and

the laughter, the door-keeper's voice was heard announcing

some name well known in the financial department, respected

in the army, or illustrious in the literary world, and which

was acknowledged by a slight movement in the different

groups. But for one whose privilege it was to agitate that

ocean of human waves, how many were received with a look of

indifference or a sneer of disdain! At the moment when the

hand of the massive time-piece, representing Endymion

asleep, pointed to nine on its golden face, and the hammer,

the faithful type of mechanical thought, struck nine times,

the name of the Count of Monte Cristo resounded in its turn,

and as if by an electric shock all the assembly turned

towards the door.

 

The count was dressed in black and with his habitual

simplicity; his white waistcoat displayed his expansive

noble chest and his black stock was singularly noticeable

because of its contrast with the deadly paleness of his

face. His only jewellery was a chain, so fine that the

slender gold thread was scarcely perceptible on his white

waistcoat. A circle was immediately formed around the door.

The count perceived at one glance Madame Danglars at one end

of the drawing-room, M. Danglars at the other, and Eugenie

in front of him. He first advanced towards the baroness, who

was chatting with Madame de Villefort, who had come alone,

Valentine being still an invalid; and without turning aside,

so clear was the road left for him, he passed from the

baroness to Eugenie, whom he complimented in such rapid and

measured terms, that the proud artist was quite struck. Near

her was Mademoiselle Louise d'Armilly, who thanked the count

for the letters of introduction he had so kindly given her

for Italy, which she intended immediately to make use of. On

leaving these ladies he found himself with Danglars, who had

advanced to meet him.

 

Having accomplished these three social duties, Monte Cristo

stopped, looking around him with that expression peculiar to

a certain class, which seems to say, "I have done my duty,

now let others do theirs." Andrea, who was in an adjoining

room, had shared in the sensation caused by the arrival of

Monte Cristo, and now came forward to pay his respects to

the count. He found him completely surrounded; all were

eager to speak to him, as is always the case with those

whose words are few and weighty. The solicitors arrived at

this moment and arranged their scrawled papers on the velvet

cloth embroidered with gold which covered the table prepared

for the signature; it was a gilt table supported on lions'

claws. One of the notaries sat down, the other remained

standing. They were about to proceed to the reading of the

contract, which half Paris assembled was to sign. All took

their places, or rather the ladies formed a circle, while

the gentlemen (more indifferent to the restraints of what

Boileau calls the "energetic style") commented on the

feverish agitation of Andrea, on M. Danglars' riveted

attention, Eugenie's composure, and the light and sprightly

manner in which the baroness treated this important affair.

 

The contract was read during a profound silence. But as soon

as it was finished, the buzz was redoubled through all the

drawing-rooms; the brilliant sums, the rolling millions

which were to be at the command of the two young people, and

which crowned the display of the wedding presents and the

young lady's diamonds, which had been made in a room

entirely appropriated for that purpose, had exercised to the

full their delusions over the envious assembly. Mademoiselle

Danglars' charms were heightened in the opinion of the young

men, and for the moment seemed to outvie the sun in

splendor. As for the ladies, it is needless to say that

while they coveted the millions, they thought they did not

need them for themselves, as they were beautiful enough

without them. Andrea, surrounded by his friends,

complimented, flattered, beginning to believe in the reality

of his dream, was almost bewildered. The notary solemnly

took the pen, flourished it above his head, and said,

"Gentlemen, we are about to sign the contract."

 

The baron was to sign first, then the representative of M.

Cavalcanti, senior, then the baroness, afterwards the

"future couple," as they are styled in the abominable

phraseology of legal documents. The baron took the pen and

signed, then the representative. The baroness approached,

leaning on Madame de Villefort's arm. "My dear," said she,

as she took the pen, "is it not vexatious? An unexpected

incident, in the affair of murder and theft at the Count of

Monte Cristo's, in which he nearly fell a victim, deprives

us of the pleasure of seeing M. de Villefort."

 

"Indeed?" said M. Danglars, in the same tone in which he

would have said, "Oh, well, what do I care?"

 

"As a matter of fact," said Monte Cristo, approaching, "I am

much afraid that I am the involuntary cause of his absence."

 

"What, you, count?" said Madame Danglars, signing; "if you

are, take care, for I shall never forgive you." Andrea

pricked up his ears.

 

"But it is not my fault, as I shall endeavor to prove."

Every one listened eagerly; Monte Cristo who so rarely

opened his lips, was about to speak. "You remember," said

the count, during the most profound silence, "that the

unhappy wretch who came to rob me died at my house; the

supposition is that he was stabbed by his accomplice, on

attempting to leave it."

 

"Yes," said Danglars.

 

"In order that his wounds might be examined he was

undressed, and his clothes were thrown into a corner, where

the police picked them up, with the exception of the

waistcoat, which they overlooked." Andrea turned pale, and

drew towards the door; he saw a cloud rising in the horizon,

which appeared to forebode a coming storm.

 

"Well, this waistcoat was discovered to-day, covered with

blood, and with a hole over the heart." The ladies screamed,

and two or three prepared to faint. "It was brought to me.

No one could guess what the dirty rag could be; I alone

suspected that it was the waistcoat of the murdered man. My

valet, in examining this mournful relic, felt a paper in the

pocket and drew it out; it was a letter addressed to you,

baron."

 

"To me?" cried Danglars.

 

"Yes, indeed, to you; I succeeded in deciphering your name

under the blood with which the letter was stained," replied

Monte Cristo, amid the general outburst of amazement.

 

"But," asked Madame Danglars, looking at her husband with

uneasiness, "how could that prevent M. de Villefort" --

 

"In this simple way, madame," replied Monte Cristo; "the

waistcoat and the letter were both what is termed

circumstantial evidence; I therefore sent them to the king's

attorney. You understand, my dear baron, that legal methods

are the safest in criminal cases; it was, perhaps, some plot

against you." Andrea looked steadily at Monte Cristo and

disappeared in the second drawing-room.

 

"Possibly," said Danglars; "was not this murdered man an old

galley-slave?"

 

"Yes," replied the count; "a felon named Caderousse."

Danglars turned slightly pale; Andrea reached the anteroom

beyond the little drawing-room.

 

"But go on signing," said Monte Cristo; "I perceive that my

story has caused a general emotion, and I beg to apologize

to you, baroness, and to Mademoiselle Danglars." The

baroness, who had signed, returned the pen to the notary.

"Prince Cavalcanti," said the latter; "Prince Cavalcanti,

where are you?"

 

"Andrea, Andrea," repeated several young people, who were

already on sufficiently intimate terms with him to call him

by his Christian name.

 

"Call the prince; inform him that it is his turn to sign,"

cried Danglars to one of the floorkeepers.

 

But at the same instant the crowd of guests rushed in alarm

into the principal salon as if some frightful monster had

entered the apartments, quaerens quem devoret. There was,

indeed, reason to retreat, to be alarmed, and to scream. An

officer was placing two soldiers at the door of each

drawing-room, and was advancing towards Danglars, preceded

by a commissary of police, girded with his scarf. Madame

Danglars uttered a scream and fainted. Danglars, who thought

himself threatened (certain consciences are never calm), --

Danglars even before his guests showed a countenance of

abject terror.

 

"What is the matter, sir?" asked Monte Cristo, advancing to

meet the commissioner.

 

"Which of you gentlemen," asked the magistrate, without

replying to the count, "answers to the name of Andrea

Cavalcanti?" A cry of astonishment was heard from all parts

of the room. They searched; they questioned. "But who then

is Andrea Cavalcanti?" asked Danglars in amazement.

 

"A galley-slave, escaped from confinement at Toulon."

 

"And what crime has he committed?"

 

"He is accused," said the commissary with his inflexible

voice, "of having assassinated the man named Caderousse, his

former companion in prison, at the moment he was making his

escape from the house of the Count of Monte Cristo." Monte

Cristo cast a rapid glance around him. Andrea was gone.

 

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