Skip to main content

Chapter 39- The Guests.

Chapter 39

The Guests.

 

In the house in the Rue du Helder, where Albert had invited

the Count of Monte Cristo, everything was being prepared on

the morning of the 21st of May to do honor to the occasion.

Albert de Morcerf inhabited a pavilion situated at the

corner of a large court, and directly opposite another

building, in which were the servants' apartments. Two

windows only of the pavilion faced the street; three other

windows looked into the court, and two at the back into the

garden. Between the court and the garden, built in the heavy

style of the imperial architecture, was the large and

fashionable dwelling of the Count and Countess of Morcerf. A

high wall surrounded the whole of the hotel, surmounted at

intervals by vases filled with flowers, and broken in the

centre by a large gate of gilded iron, which served as the

carriage entrance. A small door, close to the lodge of the

concierge, gave ingress and egress to the servants and

masters when they were on foot.

 

It was easy to discover that the delicate care of a mother,

unwilling to part from her son, and yet aware that a young

man of the viscount's age required the full exercise of his

liberty, had chosen this habitation for Albert. There were

not lacking, however, evidences of what we may call the

intelligent egoism of a youth who is charmed with the

indolent, careless life of an only son, and who lives as it

were in a gilded cage. By means of the two windows looking

into the street, Albert could see all that passed; the sight

of what is going on is necessary to young men, who always

want to see the world traverse their horizon, even if that

horizon is only a public thoroughfare. Then, should anything

appear to merit a more minute examination, Albert de Morcerf

could follow up his researches by means of a small gate,

similar to that close to the concierge's door, and which

merits a particular description. It was a little entrance

that seemed never to have been opened since the house was

built, so entirely was it covered with dust and dirt; but

the well-oiled hinges and locks told quite another story.

This door was a mockery to the concierge, from whose

vigilance and jurisdiction it was free, and, like that

famous portal in the "Arabian Nights," opening at the

"Sesame" of Ali Baba, it was wont to swing backward at a

cabalistic word or a concerted tap from without from the

sweetest voices or whitest fingers in the world. At the end

of a long corridor, with which the door communicated, and

which formed the ante-chamber, was, on the right, Albert's

breakfast-room, looking into the court, and on the left the

salon, looking into the garden. Shrubs and creeping plants

covered the windows, and hid from the garden and court these

two apartments, the only rooms into which, as they were on

the ground-floor, the prying eyes of the curious could

penetrate. On the floor above were similar rooms, with the

addition of a third, formed out of the ante-chamber; these

three rooms were a salon, a boudoir, and a bedroom. The

salon down-stairs was only an Algerian divan, for the use of

smokers. The boudoir up-stairs communicated with the

bed-chamber by an invisible door on the staircase; it was

evident that every precaution had been taken. Above this

floor was a large atelier, which had been increased in size

by pulling down the partitions -- a pandemonium, in which

the artist and the dandy strove for preeminence. There were

collected and piled up all Albert's successive caprices,

hunting-horns, bass-viols, flutes -- a whole orchestra, for

Albert had had not a taste but a fancy for music; easels,

palettes, brushes, pencils -- for music had been succeeded

by painting; foils, boxing-gloves, broadswords, and

single-sticks -- for, following the example of the

fashionable young men of the time, Albert de Morcerf

cultivated, with far more perseverance than music and

drawing, the three arts that complete a dandy's education,

i.e., fencing, boxing, and single-stick; and it was here

that he received Grisier, Cook, and Charles Leboucher. The

rest of the furniture of this privileged apartment consisted

of old cabinets, filled with Chinese porcelain and Japanese

vases, Lucca della Robbia faience, and Palissy platters; of

old arm-chairs, in which perhaps had sat Henry IV. or Sully,

Louis XIII. or Richelieu -- for two of these arm-chairs,

adorned with a carved shield, on which were engraved the

fleur-de-lis of France on an azure field evidently came from

the Louvre, or, at least, some royal residence. Over these

dark and sombre chairs were thrown splendid stuffs, dyed

beneath Persia's sun, or woven by the fingers of the women

of Calcutta or of Chandernagor. What these stuffs did there,

it was impossible to say; they awaited, while gratifying the

eyes, a destination unknown to their owner himself; in the

meantime they filled the place with their golden and silky

reflections. In the centre of the room was a Roller and

Blanchet "baby grand" piano in rosewood, but holding the

potentialities of an orchestra in its narrow and sonorous

cavity, and groaning beneath the weight of the

chefs-d'oeuvre of Beethoven, Weber, Mozart, Haydn, Gretry,

and Porpora. On the walls, over the doors, on the ceiling,

were swords, daggers, Malay creeses, maces, battle-axes;

gilded, damasked, and inlaid suits of armor; dried plants,

minerals, and stuffed birds, their flame-colored wings

outspread in motionless flight, and their beaks forever

open. This was Albert's favorite lounging place.

 

However, the morning of the appointment, the young man had

established himself in the small salon down-stairs. There,

on a table, surrounded at some distance by a large and

luxurious divan, every species of tobacco known, -- from the

yellow tobacco of Petersburg to the black of Sinai, and so

on along the scale from Maryland and Porto-Rico, to Latakia,

-- was exposed in pots of crackled earthenware of which the

Dutch are so fond; beside them, in boxes of fragrant wood,

were ranged, according to their size and quality, pueros,

regalias, havanas, and manillas; and, in an open cabinet, a

collection of German pipes, of chibouques, with their amber

mouth-pieces ornamented with coral, and of narghiles, with

their long tubes of morocco, awaiting the caprice or the

sympathy of the smokers. Albert had himself presided at the

arrangement, or, rather, the symmetrical derangement, which,

after coffee, the guests at a breakfast of modern days love

to contemplate through the vapor that escapes from their

mouths, and ascends in long and fanciful wreaths to the

ceiling. At a quarter to ten, a valet entered; he composed,

with a little groom named John, and who only spoke English,

all Albert's establishment, although the cook of the hotel

was always at his service, and on great occasions the

count's chasseur also. This valet, whose name was Germain,

and who enjoyed the entire confidence of his young master,

held in one hand a number of papers, and in the other a

packet of letters, which he gave to Albert. Albert glanced

carelessly at the different missives, selected two written

in a small and delicate hand, and enclosed in scented

envelopes, opened them and perused their contents with some

attention. "How did these letters come?" said he.

 

"One by the post, Madame Danglars' footman left the other."

 

"Let Madame Danglars know that I accept the place she offers

me in her box. Wait; then, during the day, tell Rosa that

when I leave the Opera I will sup with her as she wishes.

Take her six bottles of different wine -- Cyprus, sherry,

and Malaga, and a barrel of Ostend oysters; get them at

Borel's, and be sure you say they are for me."

 

"At what o'clock, sir, do you breakfast?"

 

"What time is it now?"

 

"A quarter to ten."

 

"Very well, at half past ten. Debray will, perhaps, be

obliged to go to the minister -- and besides" (Albert looked

at his tablets), "it is the hour I told the count, 21st May,

at half past ten; and though I do not much rely upon his

promise, I wish to be punctual. Is the countess up yet?"

 

"If you wish, I will inquire."

 

"Yes, ask her for one of her liqueur cellarets, mine is

incomplete; and tell her I shall have the honor of seeing

her about three o'clock, and that I request permission to

introduce some one to her." The valet left the room. Albert

threw himself on the divan, tore off the cover of two or

three of the papers, looked at the theatre announcements,

made a face seeing they gave an opera, and not a ballet;

hunted vainly amongst the advertisements for a new

tooth-powder of which he had heard, and threw down, one

after the other, the three leading papers of Paris,

muttering, "These papers become more and more stupid every

day." A moment after, a carriage stopped before the door,

and the servant announced M. Lucien Debray. A tall young

man, with light hair, clear gray eyes, and thin and

compressed lips, dressed in a blue coat with beautifully

carved gold buttons, a white neckcloth, and a tortoiseshell

eye-glass suspended by a silken thread, and which, by an

effort of the superciliary and zygomatic muscles, he fixed

in his eye, entered, with a half-official air, without

smiling or speaking. "Good-morning, Lucien, good-morning,"

said Albert; "your punctuality really alarms me. What do I

say? punctuality! You, whom I expected last, you arrive at

five minutes to ten, when the time fixed was half-past! Has

the ministry resigned?"

 

"No, my dear fellow," returned the young man, seating

himself on the divan; "reassure yourself; we are tottering

always, but we never fall, and I begin to believe that we

shall pass into a state of immobility, and then the affairs

of the Peninsula will completely consolidate us."

 

"Ah, true; you drive Don Carlos out of Spain."

 

"No, no, my dear fellow, do not confound our plans. We take

him to the other side of the French frontier, and offer him

hospitality at Bourges."

 

"At Bourges?"

 

"Yes, he has not much to complain of; Bourges is the capital

of Charles VII. Do you not know that all Paris knew it

yesterday, and the day before it had already transpired on

the Bourse, and M. Danglars (I do not know by what means

that man contrives to obtain intelligence as soon as we do)

made a million!"

 

"And you another order, for I see you have a blue ribbon at

your button-hole."

 

"Yes; they sent me the order of Charles III.," returned

Debray, carelessly.

 

"Come, do not affect indifference, but confess you were

pleased to have it."

 

"Oh, it is very well as a finish to the toilet. It looks

very neat on a black coat buttoned up."

 

"And makes you resemble the Prince of Wales or the Duke of

Reichstadt."

 

"It is for that reason you see me so early."

 

"Because you have the order of Charles III., and you wish to

announce the good news to me?"

 

"No, because I passed the night writing letters, -- five and

twenty despatches. I returned home at daybreak, and strove

to sleep; but my head ached and I got up to have a ride for

an hour. At the Bois de Boulogne, ennui and hunger attacked

me at once, -- two enemies who rarely accompany each other,

and who are yet leagued against me, a sort of

Carlo-republican alliance. I then recollected you gave a

breakfast this morning, and here I am. I am hungry, feed me;

I am bored, amuse me."

 

"It is my duty as your host," returned Albert, ringing the

bell, while Lucien turned over, with his gold-mounted cane,

the papers that lay on the table. "Germain, a glass of

sherry and a biscuit. In the meantime. my dear Lucien, here

are cigars -- contraband, of course -- try them, and

persuade the minister to sell us such instead of poisoning

us with cabbage leaves."

 

"Peste, I will do nothing of the kind; the moment they come

from government you would find them execrable. Besides, that

does not concern the home but the financial department.

Address yourself to M. Humann, section of the indirect

contributions, corridor A., No. 26."

 

"On my word," said Albert, "you astonish me by the extent of

your knowledge. Take a cigar."

 

"Really, my dear Albert," replied Lucien, lighting a manilla

at a rose-colored taper that burnt in a be beautifully

enamelled stand -- "how happy you are to have nothing to do.

You do not know your own good fortune!"

 

"And what would you do, my dear diplomatist," replied

Morcerf, with a slight degree of irony in his voice, "if you

did nothing? What? private secretary to a minister, plunged

at once into European cabals and Parisian intrigues; having

kings, and, better still, queens, to protect, parties to

unite, elections to direct; making more use of your cabinet

with your pen and your telegraph than Napoleon did of his

battle-fields with his sword and his victories; possessing

five and twenty thousand francs a year, besides your place;

a horse, for which Chateau-Renaud offered you four hundred

louis, and which you would not part with; a tailor who never

disappoints you; with the opera, the jockey-club, and other

diversions, can you not amuse yourself? Well, I will amuse

you."

 

"How?"

 

"By introducing to you a new acquaintance."

 

"A man or a woman?"

 

"A man."

 

"I know so many men already."

 

"But you do not know this man."

 

"Where does he come from -- the end of the world?"

 

"Farther still, perhaps."

 

"The deuce! I hope he does not bring our breakfast with

him."

 

"Oh, no; our breakfast comes from my father's kitchen. Are

you hungry?"

 

"Humiliating as such a confession is, I am. But I dined at

M. de Villefort's, and lawyers always give you very bad

dinners. You would think they felt some remorse; did you

ever remark that?"

 

"Ah, depreciate other persons' dinners; you ministers give

such splendid ones."

 

"Yes; but we do not invite people of fashion. If we were not

forced to entertain a parcel of country boobies because they

think and vote with us, we should never dream of dining at

home, I assure you."

 

"Well, take another glass of sherry and another biscuit."

 

"Willingly. Your Spanish wine is excellent. You see we were

quite right to pacify that country."

 

"Yes; but Don Carlos?"

 

"Well, Don Carlos will drink Bordeaux, and in ten years we

will marry his son to the little queen."

 

"You will then obtain the Golden Fleece, if you are still in

the ministry."

 

"I think, Albert, you have adopted the system of feeding me

on smoke this morning."

 

"Well, you must allow it is the best thing for the stomach;

but I hear Beauchamp in the next room; you can dispute

together, and that will pass away the time."

 

"About what?"

 

"About the papers."

 

"My dear friend," said Lucien with an air of sovereign

contempt, "do I ever read the papers?"

 

"Then you will dispute the more."

 

"M. Beauchamp," announced the servant. "Come in, come in,"

said Albert, rising and advancing to meet the young man.

"Here is Debray, who detests you without reading you, so he

says."

 

"He is quite right," returned Beauchamp; "for I criticise

him without knowing what he does. Good-day, commander!"

 

"Ah, you know that already," said the private secretary,

smiling and shaking hands with him.

 

"Pardieu?"

 

"And what do they say of it in the world?"

 

"In which world? we have so many worlds in the year of grace

1838."

 

"In the entire political world, of which you are one of the

leaders."

 

"They say that it is quite fair, and that sowing so much

red, you ought to reap a little blue."

 

"Come, come, that is not bad!" said Lucien. "Why do you not

join our party, my dear Beauchamp? With your talents you

would make your fortune in three or four years."

 

"I only await one thing before following your advice; that

is, a minister who will hold office for six months. My dear

Albert, one word, for I must give poor Lucien a respite. Do

we breakfast or dine? I must go to the Chamber, for our life

is not an idle one."

 

"You only breakfast; I await two persons, and the instant

they arrive we shall sit down to table."

 

Comments

Popular posts from this blog

Chapter 88- The Insult.

Chapter 88 The Insult.   At the banker's door Beauchamp stopped Morcerf. "Listen," said he; "just now I told you it was of M. de Monte Cristo you must demand an explanation."   "Yes; and we are going to his house."   "Reflect, Morcerf, one moment before you go."   "On what shall I reflect?"   "On the importance of the step you are taking."   "Is it more serious than going to M. Danglars?"   "Yes; M. Danglars is a money-lover, and those who love money, you know, think too much of what they risk to be easily induced to fight a duel. The other is, on the contrary, to all appearance a true nobleman; but do you not fear to find him a bully?"   "I only fear one thing; namely, to find a man who will not fight."   "Do not be alarmed," said Beauchamp; "he will meet you. My only fear is that he will be too strong for you."  

About the Book- The Count of Monte Cristo

About- The Count of Monte Cristo The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by Alexandre Dumas. It is often considered, along with The Three Musketeers, as Dumas' most popular work. It is also among the highest selling books of all time. The writing of the work was completed in 1844. Like many of his novels, it is expanded from the plot outlines suggested by his collaborating ghostwriter Auguste Maquet.[1] The story takes place in France, Italy, islands in the Mediterranean and the Levant during the historical events of 1815–1838 (from just before the Hundred Days through the reign of Louis-Philippe of France). The historical setting is a fundamental element of the book. It is primarily concerned with themes of hope, justice, vengeance, mercy, and forgiveness, and is told in the style of an adventure story. Buy the Penguin Classics Version of "Count of Monte Cristo"   Characters There are a large number of char

Chapter 18 The Treasure.

Chapter 18   The Treasure.   When Dantes returned next morning to the chamber of his companion in captivity, he found Faria seated and looking composed. In the ray of light which entered by the narrow window of his cell, he held open in his left hand, of which alone, it will be recollected, he retained the use, a sheet of paper, which, from being constantly rolled into a small compass, had the form of a cylinder, and was not easily kept open. He did not speak, but showed the paper to Dantes.   "What is that?" he inquired.   "Look at it," said the abbe with a smile.   "I have looked at it with all possible attention," said Dantes, "and I only see a half-burnt paper, on which are traces of Gothic characters inscribed with a peculiar kind of ink."   "This paper, my friend," said Faria, "I may now avow to you, since I have the proof of your fidelity -- this paper is my treasure, of which, f